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corpses sliced in two; the clash of opposing armies; the soldiers of the

83

miserable infidels quaking before our cannon; the troops defending the

crenellated towers of besieged castles; rebels being decapitated and the fury of

horses attacking at full gallop。 I mit everything I behold to memory: a new

coffee grinder; a style of window grating that I’ve never seen before; a cannon;

the trigger of a new style of Frankish rifle; who wore what color robe during a

feast; who ate what; who placed his hand where and how…”

“What are the morals of the three stories you’ve told?” asked Black in a

manner that summed everything up and ever so slightly called me to account。

“Alif;” I said。 “The first story with the minaret demonstrates that no matter

how talented a miniaturist might be; it is time that makes a picture ”perfect。“

”Ba;“ the second story with the harem and the library; reveals that the only

way to escape time is through skill and illustrating。 As for the third story; you

proceed to tell me; then。”

“Djim!” said Black confidently; “the third story about the one…hundred…

and…nieen…year…old miniaturist unites ”Alif‘ and “Ba’ to reveal how time

ends for the one who forsakes the perfect life and perfect illuminating; leaving

nothing but death。 Indeed; this is what it demonstrates。”

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